Professional Testimonials:
“Daniel is a great composer with a valuable knowledge of the principles of game audio and dynamic music production in games. Over the couple of years that I’ve known him he has tirelessly produced for us some great scores for games of varying genres. He is flexible enough to cover music of almost any style and is always keen to push his score to the next level and do what it takes to make our games shine sonically. “
Nick Metcalfe – Lead Sound Designer / THQ Studios
“Our work with Daniel, on AAA game cinematic projects, couldn’t have gone smoother. He possesses a fantastic work ethic and the kind of skill & talent that is extremely hard to find, in any genre… let alone such a wide array of genres as he has consistently exhibited for us. His talent, communication skills, reliability, passion for his craft and overall professionalism make him a tremendous asset to any creative production. We had an great time working with him… and look forward to repeating the experience in the future. I can eagerly and whole-heartedly recommend working with Daniel!”
Robert Taylor Exec Prodcuer / Pendulum Studios – San Diego, CA,
“Daniel’s technical know-how, his knowledge of games as well as his overall versatility makes him indispensable to the game development process. His music always comes out inspired, connecting with the player in a way that vastly improves the game’s experience!”
Rob Buchanan “Wayforward Technologies” A Boy And His Blob For Nintendo Wii
“Daniel’s talent and disposition comes through loud and clear and his dedicated passion for film composing will attract directors who desire to work on a collaborative basis.”
Angelo Badalamenti, Composer( Darkwater (with Jennifer Connelly)/ Arlington Road, Twin Peaks Series, Mulholland Dr, Christmas Vacation )
“I am constantly impressed by the volume of work that he is producing and he has his fingers on the pulse of today’s current trends. We will be hearing many great things from Daniel.”
Hummie Mann, Composer/Orchestrator/Conductor (Misery,
Sister Act, Year Of The Comet, A Few Good Men, Robinhood: Men In Tights)
”Daniel has worked on 3 video game titles for us. The quality and timing of his music is always excellent! His vast understanding of music for different genres makes him an undeniable asset to any game company.”
Jules-Benjamin Lallise – Producer “Eko-Software” PS3 / XBOX 360 / Wii Title
“Working with Daniel on RoboBlitz for the XBOX 360 couldn’t have gone better. Daniel is a talented composer who writes great music, and his professionalism and timely delivery makes him a perfect resource in the hectic world of game development.”
Sam Thibault, Chief Designer, Naked Sky Entertainment
“It has been my pleasure to work with composer Daniel Sadowski. Rarely do I encounter such high levels of musical passion and professional production skills together. I always look forward to his sessions as they are musically moving and impeccably produced.”
Barry Corliss, Master Works CD (Mastering professional)
“Daniel was commissioned to provide Sound Transit with original, catchy thematic music for a new video magazine-format cable program. And he did it. The music created and performed by Daniel Sadowski gave us the sound identity we were looking for to reach out and grab the audience and make them think, “Hmmm…Sound Transit….sounds good…better listen and watch. “It worked and has continued to work. And its been part of the mix of program elements we have used to win several awards over the past two years.”
Ken Harvey, Head of Production, Sound Transit
“Many thanks for your work on this. I think it’s safe to say that your contribution has been invaluable towards the success of our project.”
Victor Low Executive Producer – World Sport Group
“Daniel Sadowski will be composing an original score for the Awaken film.”Music is extremely important to the final audience experience so we are very pleased to have Daniel involved. His style of orchestral composing is in perfect harmony with the direction and approach of the film. It is very rare to find such a perfect fit.”
David Gould, Director